Howard Sklar, PhD |
Department of Modern Languages (English Philology) University of Helsinki |
Disability Studies and Literature |
The emergence over the last several decades of the cluster of research emphases known as “Disability Studies” has given unprecedented visibility to the concerns of disabled individuals, both within and outside of the academic world. Scholars have examined a broad spectrum of concerns, ranging from the discussion of specific disabilities (visual impairment, physical impairment, hearing impairment, cognitive impairment), to the theoretical underpinnings of disability studies generally, to the difficulty of establishing consistent programs within the academy that emphasize disability concerns. Within the humanities, considerable scholarly attention has been given to the content of, motives behind, and social effects of the ways in which disabled individuals are represented in literature, film, visual arts and other artistic forms. The aim of this course is to provide a general introduction to disability studies as they apply to the study of literature, particularly fictional narratives. The course will be divided into two sections, with the first focusing on several prominent theoretical streams within disability studies and the second applying these and other theories to the reading of specific fictional narratives. While the second section primarily emphasizes representations of cognitive impairment (in this case, developmental disability and autism), some attention also will be given to works that portray visual impairment (blindness) and physical impairment (cerebral palsy). Theoretical readings for the course will be taken primarily from the following essay collections and journals: Disability Studies: Enabling the Humanities. Sharon L. Snyder, Brenda Jo Brueggemann and Rosemarie Garland-Thomson, eds. Modern Language Association, 2002. The Disability Studies Reader. Lennard J. Davis, ed. Routledge, 2006. Embodied Rhetorics: Disability in Language and Culture. James Wilson and Cynthia Lewiecki-Wilson, eds. Southern Illinois University Press, 2001. Journal of Literary and Cultural Disability Studies Disability Studies Quarterly The fictional narratives that will be the focus of the second section of the course (primarily short stories, but also selections from novels and graphic novels) will be announced at the first meeting. Course Syllabus (subject to change) A few clarifications: Unless indicated otherwise, all readings are available in my pigeonhole in the Department of Comparative Literature. You may copy these articles, but please take only one article at a time, and be sure to return the master copy (with the pages in order) to the pigeonholes so that the articles will be available for others! When possible, I also will provide links to online articles on my website. All required readings must be read before the date of the session in which they are listed. You’ll find them in the green folder in my pigeonhole. All “supplementary readings” are optional…but highly recommended! They also may be used as materials for the longer paper. I will list these extra readings on the website at the “Supplementary Readings” link. You’ll find these articles in the orange folders. Paper assignments are explained on the “Course Assignments” page of my website as well as on a handout that will be distributed during the first class session. “Journal” assignments are also explained on the “Course Assignments” page. Journal topics will be listed on the website version of the syllabus by the second session. Course Requirements: One short paper (2-3 pages) researching a particular disability (20%) One longer paper (7-9 pages) analyzing a work of literature and applying a supplementary theoretical text (60%) Weekly Journals on course blog (10%) Attendance and participation (10%) 22.1 Session 1 – Introduction: Disability Studies – What It is and How It Relates to Literary Studies 29.1 Session 2– Intellectual Disability in Literature: From the Outside In, Part I Primary Literature: Excerpts from Carson McCullers’s The Heart is a Lonely Hunter Secondary Literature: Heidi Krumland, “A Big Deaf-Mute Moron: Eugenic Traces in Carson McCullers’s The Heart is a Lonely Hunter” 5.2 Session 3 - Intellectual Disability in Literature: From the Outside In, Part II Primary Literature: Excerpts from Harper Lee’s To Kill a Mockingbird Secondary Literature: David T. Mitchell and Sharon L. Snyder, excerpts from Narrative Prosthesis: Disability and the Dependencies of Discourse OR Primary Literature: Toni Morrison, “Recitatif” Secondary Literature: Howard Sklar, “‘What the Hell Happened to Maggie?’: Stereotype, Sympathy and Disability in Toni Morrison’s ‘Recitatif’” David T. Mitchell, “Narrative Prosthesis and the Materiality of Metaphor” Film excerpt: “To Kill a Mockingbird” (Robert Mulligan, dir., 1962) 12.2 Session 4 – Intellectual Disability in Literature: From the Outside In, Part III Primary Literature: John Steinbeck, Of Mice and Men Secondary Literature: Martin Halliwell, “Of Mice and Men (John Steinbeck and Lewis Milestone” (chapter from Images of Idiocy: The Idiot Figure in Modern Fiction and Film) Film excerpt: “Of Mice and Men” (Lewis Milestone, dir., 1939; or Gary Sinese, dir., 1992) 19.2 *** HUOM! Short paper due!*** Session 5 – Intellectual Disability in Literature: From the Inside Out, Part I Primary Literature: Excerpts from William Faulkner’s The Sound and the Fury Secondary Literature: Martin Halliwell, excerpts from Images of Idiocy: The Idiot Figure in Modern Fiction and Film OR Primary Literature: Tarjei Vesaas’s The Birds Secondary Literature: Merete Sæbø Torvanger, “Vesaas's The Birds and a patient's history elucidated by means of the theory of object relations and the death instinct” ***HUOM! No class on 26.2!*** 5.3 Session 6 – Intellectual Disability in Literature: From the Inside Out, Part I Primary Literature: Daniel Keyes, “Flowers for Algernon” (story), or excerpts from Daniel Keyes, Flowers for Algernon (novel) Secondary Literature: G. Thomas Couser, “Making, Taking and Faking Lives: Ethical Problems in Collaborative Life Writing,” or Couser, “Signifying Bodies: Life Writing and Disability Studies” Film excerpt: “Charly” (Ralph Nelson, dir., 1968) ***HUOM! No class on 12.3 (väliviikko)!* 19.3 Session 7 – Representing Autism: The Search for an Authentic Voice Primary Literature: Mark Haddon, excerpts from The Curious Incident of the Dog in the Night-Time Secondary Literature: Stuart Murray, “On Autistic Presence” 26.3 ***HUOM! Longer paper due!*** Session 8 Cerebral Palsy: The Challenge of Telling One’s Own Story Primary Literature: Christy Brown, excerpts from My Left Foot Secondary Literature: Ellen L. Barton, “Textual Practices of Erasure: Representations of Disability and the Founding Of the United Way” Film excerpt: “My Left Foot: The Story of Christy Brown” (Jim Sheridan, dir., 1989) ***HUOM! No class on 2.4 (Good Friday/Pitkäperjantai)!*** 9.4 Session 9 – “The Planet of the Blind” Primary Literature: Stephen Kuusisto, excerpts from Planet of the Blind (memoir) Stephen Kuusisto, poetry Secondary Literature: Michael L. Melancon, “‘A River that No One Can See’: Body, Text and Environment in the Poetry of Stephen Kuusisto” (link to follow) Audio excerpt: Interview with Stephen Kuusisto 16.4 Session 10 – Resistance to the Movement: The Case of Deafness Primary Literature: Carson McCullers, excerpt from The Heart is a Lonely Hunter Secondary Literature: Harlan Lane, “Construction of Deafness” OR Carol Padden and Tom Humphries, “Deaf People: A Different Center” |
Course Description (spring 2010)
|
Howard Sklar Homepage |
Sklar - Research |
Ethics - Course Description |
Ethics - Syllabus |
Ethics - Extra Readings |
Ethics - Papers |
Ethics - Lit Texts |
Emotions - Course Description |
Emotions - Syllabus |
Emotions - Papers |
Disability Studies and Lit |
Sklar - Bio |
Sklar - C.V. |