Published in Mary Chamberlain (ed): Trauma and Life Story. Memory and
Narrative 2, 2000
J.P.Roos
REALITY OR NOTHING! FALSE AND REPRESSED
MEMORIES AND AUTOBIOGRAPHY
Dennis Potter's last TV-series, Cold Lazarus, tells how
the deep-frozen brain of a TV-writer - a thinly veiled Potter himself -
is being reactivated after 300 years. His brain begins to produce visual
memories, which are the object of both scientific and commercial interest
- a group of scientists debates them and a ruthless TV-mogul plans to broadcast
them as the final 'reality TV'. In the memories, the subject is alternately
a little boy or the man at the age of his death, sometimes in the clothes
of the boy. Once, the little boy is sexually abused by a village marginal
- a memory which is unclear and dim at places. But later memories are shown
very graphically and narratively and in utmost detail.
The point of the series is that the activating of memories
demands conscious participation from the brain, although the scientists
think that it has no will of its own. In fact, the memory work recreates
the personality of the writer. The brain gets more and more distressed,
sending messages of wanting to be free from the memory work (to the
astonishment of the scientists who have not believed that the brain could
regain consciousness). In the happy end, a member of the team, posing (or
being actually, I don't remember!) as a 'ronnie' - a Reality or Nothing
terrorist who try to free the world from the clutches of global entertainment
monopolies, whose main endeavour is to separate the people from reality
- destroys the machine to which the brain is connected, thus liberating
the brain from its memories, and simultaneously killing it.
In this story, producing memories is seen as a painful,
difficult but very precise process. The brain, free from all kinds of mental
or bodily hindrances, remembers everything, exactly.
This also seems to be the view of the so-called recovered
memory therapy movement, which believes that there are events which are
so difficult and horrible (and sexual) that they are totally repressed,
to emerge at some later date, prompted by some association or similarity.
The problem with this assumption is, that it is extremely difficult to
verify such memory recovery, either because there is no independent confirmation
of the event remembered or because we can never know whether the repressed
event really was forgotten at all.
This said, I don't wish to deny the possibility of re-remembering
forgotten events stored in the unconscious parts of the brain. The well-known
Proustian Madeleine remembrance is an innocuous case of the same phenomenon,
except that there is no repression behind the forgotten event. In fact,
the madeleine-type associative long-forgotten memories are extremely common,
almost daily occurrences. Another type of real memory recovery happens
when somebody starts writing autobiographical reminiscences; working at
one's past is sure to bring about fresh memories (another question is how
reliable they are!).
The problem I want to address is firstly the possibility
of completely repressing from one's memory important events in one's life
and secondly the implications of this for autobiographies (i.e the possibility
of writing enormously different life stories depending of one's memories).
This is a question which is actually underlying most of the history of
psychoanalysis, so that Freud himself can be described as the first repressed
memory therapist, from the beginning.
An instance of recovered memory which is important
because it has affirmed the reality of recovered memories in court and
as a consequence sent a person in jail for murder and rape, is the case
of Eileen Lipsker.
Eileen Lipsker was a woman of highly troubled childhood
and youth (alcohol, violence of the father, mental problems of the mother,
divorce, sexual promiscuity, drug use etc.) who was later married and had
two children, the older an eight-year old daughter. One day she happened
to look at her daughter in a position which brought back a similar position
of her best friend, who had been eight years when she was raped and killed.
The following days and weeks brought back previously repressed memories
of having seen her father - an occasionally violent man and heavy drinker
- kill her friend during an outing. After these first memories Eileen also
recovered memories of being sexually abused by the father. The memory of
the murder as described by Eileen was very vivid and detailed. After discussions
with her therapist (she was in therapy because of marital and probably
also problems related to her past) she came forward with her accusations,
the father was brought to justice and condemned in the end, even though
there was no other evidence connecting him to the murder. The father denied
the murder but did not deny the allegations of incest, which certainly
increased the reliability of Eileen's testimony (the defense chose a strategy
intended to show that Eileen had reason to hate her father so much that
she could even invent a murder accusation). It was later revealed that
all details described by Eileen Lipsker had been previously published and
that the possibility of father's guilt was already entertained by Eileen's
estranged mother and sister, while at the time Eileen was completely silent
of her presence in the scene of murder.
In all, Terr's version of the case of Eileen Lipsker did not
sound very plausible. There were several reasons to suspect her testimony
and the role of her therapists was central. In fact, the wave of recovered
memory cases may have given Eileen Lipsker the idea to come forward with
her accusations in a new form. Even if they were true, we can not know
whether she had remembered the event all the time, but had been ashamed
to come forward after her initial silence. In fact, the conviction of Eileen's
father has been overturned and he has been freed. I don't know whether
he is now, in turn, suing his daughter and her therapist, or maybe even
the expert witness Terr.
This debate between the truth or falsity of repressed
memories has raged now for several years, mainly in the USA. It is a common
belief among psychotherapists that it is possible for children and
young adults to repress difficult and traumatic memories, and then recover
them. This has led to several court cases and other situations where children
have made serious accusations against their parents, other relatives or
friends of family. The opposite point of view is that such fatal memories
as rape, sexual abuse, violence, cannot be repressed and that their 'recovery'
is always spurious. Either the memory has existed always or it is pure
fantasy (or a mixture of fantasy and real events, just as any product of
the unconscious). In a famous Chris 'experiment' a young boy was told a
completely false story about his having lost his way in a shopping center,
when he was very small. Some years later, when he was told that this had
never happened, he refused to believe it, because the memory had become
completely real for him. This proves at least that memories may be real
or unreal, they have the same reality for those who have them. When they
exist, it is impossible to distinguish them from real events. And when
the memories don't exist, it doesn't help much if we are told that we should
remember them (how many times have we been told that such and such thing
has happened but we have no memory of it?).
In autobiographies, this problem has not been discussed, but
it is important from a theoretical point of view. Is the writing or telling
an autobiography in any way related to the process of memory recovery?
If so, what about false memory? What implications does this discussion
have on the realistic approach to the life stories?
The recovered or false memory debate has until now mainly taken
place in the USA (and the UK). This debate is in many ways typically American:
naive exaggerations, extreme positions on both sides, dramatical court
cases, monetary considerations. In Europe, the situation is much more subdued:
discussions inside professions, confrontation between the therapy-oriented
social workers, doctors and families. In Europe there is also much more
often a situation where the state is against families, in extreme cases
those of social welfare administration taking custody of children against
the will of the parents. The well-known Swedish child 'Gulags' have given
a bad reputation to the European welfare state as a leviathan-like system
which crushes the individual, beginning with the child. Also, in these
cases, false memory is not so much an issue as the trustworthiness of children
and the interpretations of therapists.
The false memory debate is an extreme example of the problem
of the trustworthiness and reality of life stories as a whole, or even
more generally, the debate between realistic and textual positions in the
analysis of life stories. This problem which has been a classic question
in philosophy (Bertrand Russell described memorably in his autobiography
how happy he was when he finally could believe that tables or houses really
existed and were not just imaginary constructs) to be declared a non-question
by Wittgenstein for whom there were only things to be discussed with language
and images which could not be expressed with words at all. This debate
of external vs. linguistic reality was introduced into the social sciences
gradually via linguistics, psychoanalysis, literary studies and postmodern
theory, and which, for short, is a question of whether there is an external
reality ('real life') of which the life story in a more or less faithful
rendering or if we should rather see life as being a narrative (social)
construct (or a language construct), ever changing and always newly constructed
so that all the different versions are equally true.
Ian Hacking (1997) has given an interesting example
of social construction: the 'construction' of child abuse. Child abuse
was 'discovered' in the 1960's when doctors noticed that children's fractures
were the result of severe beatings. By 1975 child abuse had become sexual,
so that the actual mistreatment and violence had been practically forgotten.
Still mistreatment of children has always existed and has always been considered
wrong even though the tolerance of corporal punishment has somewhat diminished.
So the social construction is relatively independent of the phenomenon
itself, precisely as a realist (like myself) would say. It would be absurd
to say that child abuse is a pure social construction of the 70's (in its
sexual meaning). But as Hacking notes, it has now become an absolute Bad,
so that discussion of sexuality of children has become extremely difficult
(also think of the difficulties to remake Lolita and distribute it!).
I have participated elsewhere in this debate. My own position
is that a person may have somewhat different versions of his or her life
story during different periods of his life and that contextual effects
are very important (for instance depending of whether the story is written
for your children or if its context is work) but still the basic story
is very much the same and more importantly, the individual strives always
to render a version most adequately representing his or her life, as is
is presently understood by the writer. So the changes introduced in the
life story are more often than not results of an improved understanding
or knowledge bringing to story closer to the 'real life', not new arbitrary
versions attempting to create a new identity. And, as Bertrand Russell
reports from a privately conducted experiment with one of his women friends:
'If you try to persuade an ordinary uneducated person that she cannot call
up a visual picture of a friend sitting in a chair, but can only use words
describing what such an occurrence would be like, she will conclude that
you are mad' My own favourite example is the quite ordinary distinction
between external reality and its linguistic expression which we experience
when we try to find a word for a thing which we have in mind, but cannot
express it in words; an extremely frustrating experience. You know perfectly
what it is you want to express, but you cannot do it in words.
The false memory debate is precisely about this: are the
'new' memories which change completely a person's view of his or her previous
life (memories of being sexually abused by close relatives, or other equally
traumatic and terrible events which suddenly emerge from the subconscious
and can become extremely concrete and realistic) really true or are they
just imaginary products, created in cooperation with a professional therapist
specialized in such memories or after reading books on the subject etc.,
or even caused by the general atmosphere, media publicity etc. Are they
real or just constructs? This is then an extreme case of the more ordinary
question of how a life story is connected to the real life. Or in other
words, and extreme case of the thesis of social or narrative constructionism.
For a realistically oriented life story researcher, this
question is a very tricky one: we usually assume that the stories of people
are mainly true and that they usually fail by omission, not by fabulation
or pure invention. And we (the realists!) are unwilling to admit that there
is a strong construction which causes them to be different depending on
the social situations in which they are told. Therefore, if there is a
possibility that people can produce whole episodes (and very central ones)
of their lives just out of thin air (even though they believe these episodes
are true), the realistic position seems very weak indeed. On the other
hand, false memories are a very strong argument for the postmodern view
of social reality: people may construct whatever stories they wish and
they need not have any connection with real events. Incidentally, note
that the therapists producing these memories are ambivalent realists: their
livelihood depends on the belief of the reality of the recovered memories
(and they criticise Freudian psychoanalysis for having denied this reality),
but on the other hand they are not so keen on the necessity of proof.
Of course a realist may choose to believe in the recovered
memories which usually give a really dramatic picture of a previously rather
dull or 'normal' reality. But in this case he/she will also have to deal
with extremely conflicting descriptions of the same reality: the stories
before and after, the versions of other relatives who are usually quite
unaware of what has been (supposedly) happening. So the best solution for
the realist would be to require proof, corroboration of of the memories,
and a healthy suspicion of the more dramatic and unbelievable versions
(such as satanistic rituals, extreme forms of sexual abuse, fantastic children's
stories etc).
I shall not discuss here the problem of individual or
family secrets, ie. situations where some event has been kept a secret
for a long time and then revealed suddenly. Secrets are another, very interesting
and related question. It can be said that most families and individuals
have their intimate secrets, in many cases quite dramatic ones. Some of
these secrets may be precisely of the kind revealed through 'recovered'
memories. In the Eileen Lipsker case, discussed above, one plausible explanation
is that Eileen reveals a family secret in a 'socially acceptable' way (this
is my own explanation for it, assuming that her father was guilty). Here
I have explicitly discussed cases where it is claimed that something has
happened to the person, that he or she has completely forgotten the event
(repressed it) and that at some later stage she (usually she) suddenly
remembers it, recovers it, usually with the help of a psychotherapist specialized
in recovered memories. I am not interested in the more extreme (and patently
false) cases of satanistic rituals, UFO:s, snowballing stories of whole
communities involved etc., which are just forms of mass or collective hysteria,
but in those cases where there is a genuine memory in which the person
believes and where it is really possible that the event has taken place.
A related question is what the children remember and can tell
about sexual abuse, violence etc. They are usually quite unreliable as
witnesses, not because they want to invent things or make them up, but
rather because they can be easily influenced and are very difficult as
interview objects. This is a problem of therapists or the police
coming up with questions that lead the child inte specific conclusions.
In Finland, there is one very famous case which showed how difficult it
is to stop the process once the witch hunt has been started.
I have personally not encountered cases of life stories
where people would have recovered previously forgotten memories. They may
use in their life stories previous diaries which describe events of which
they have no direct memories, but otherwise they tell what they remember
and have remembered. They may attempt to go back as far in the childhood
as possible and also attempt to distinguish those memories told by others
and those remembered authentically (this is also possible to deduce on
the basis of the remembered episode; a child cannot usually know complicated
terms or places and the memory is always somewhat unclear). But I have
not encountered spontaneous autobiographies with recovered memories. If
there is incest or violence, this is may be something that the author has
kept a secret which is now revealed in the autobiography (the cases of
incest related in the stories are relatively innocuous, with some notable
exceptions).
According to Frederic Crews (1997) there are no
cases in which repression has been 'proved' to exist during the past 60
years. And always when Mark Pendergrast (1996) tried to get corroboration
for cases cited by defenders of recovered memory, there was no real case.
There are, however some cases where we have independent evidence of traumatic
events in childhood: accidents, revealed cases of child abuse, kidnapping
etc. In these cases (and of course one could think of several others: e.g.
children taken from their parents when extremely young) it is possible
to ask the now adult persons what they remember of the event. Yet in all
cases they must now be aware of the facts (it would be unethical to remind
them!): some of them admit to remembering them all the time, some of them
don't remember what happened to them, but none report a spontaneous recovery
of the memory. What is most astonishing is that there is so little research
which tries to find corroborative evidence for repression. In an article
devoted to this question there are only two references of this kind among
literally hundreds discussing the phenomenon of repressed memory. In the
case of recovered sexual abuse memories, it is obvious that the other witness(es)
of the event will have a strong incentive to deny it, but still one should
expect that during the period in which 'recovered' memories have been known,
there should be some actually proven cases, not only claims and counter-claims.
Frederic Crews (1997, 165) mentions one case where it has been proven that
a recovered memory of sexual molestation was real. Even here, the question
about its repression is not clear: the incident was not very traumatic
and it can have been simply forgotten.
In other words, the recovered memory discussion throws
in my view more light to the debate concerning reality and construction
of life stories than on the actual question of repression of memories.
Here I think that the main problem lies in the risks brought about by the
acceptance of the idea that life stories are just constructs which should
not be taken as representations of reality.
The main risk here is that the analysis of life stories
becomes in a sense independent of the actual story. We become free to give
any interpretations we wish, even absolutely contrary ones to the claims
of the narrators. We lose all (or most) sense of reality. It is (in my
view) much better to err to the side of mistaken belief in the reality
of the story than mistaken belief in the complete malleability of the story.
A Finnish colleague, Matti Hyvärinen has discussed
several times one life story of a Finnish leftist student activist 'Anu
Rantanen', whom he interviewed several years ago. The story itself is not
very complicated. Anu Rantanen becomes, as a young student, involved in
the communist student movement, is very active and becomes for a time even
chairperson of a local group. All the time, however, she describes herself
as unsure of herself and feeling to be completely on contradiction with
her true self, who is not at all the outward oriented, politically dogmatic
activist everybody else sees her to be. What is most intriguing in her
story is that while she herself says that she gave up on the ideology quite
early immediately after the peak period of the movement (i.e. in the mid-70's),
she actually resigned from the Commmunist Party in the mid-80's hanging
around as a passive, but paying member for a long time.
Since Hyvärinen presented this case for the
first time (1994), he has changed his position completely ('this is my
sixth version' he says in 1997!). The first version described Anu Rantanen
as an unpolitical person who just happened to be politically active and
was somewhat mystified about the long process of separation. The most recent
version shows Anu Rantanen as a person true to herself and politically
very conscious, so that her story becomes a coherent and very political
story, from an incoherent, conflicting and very unpolitical story. In the
last version, the slow process of separation follows logically from her
identity as a withrawn, self-effacing woman. Her self-rhetoric is no more
seen to be in conflict with her actual life, but actually very coherent:
being a dogmatic and leading activist in conflict with her own feelings
was only logical for a quiet and self-effacing person (who does not wish
to show off by coming clean ...).
For me, Hyvärinen is a good example of the completely
fictive story approach. Anything is possible: the rhetoric is everything
and the 'simple' question what kind of life do the stories tell about,
are much less interesting than questions about production of gender and
identity in the life stories, both narratively and textually.
Why should one have to think that people are producing
gender in their stories, independently of their 'real' gender produced
by social and biological facts or that their future lives would be influenced
by their way of telling about their past lives). If I could to paraphrase
Bertrand Russell, we could find a hypothetical 'ordinary' person and ask
her how she is producing her gender or how she is influencing her life
by her story or even to whom they are telling their life stories? As Russell
says, this person would consider the person asking such questions as quite
mad (or at least incomprehensible). Or take another example: in most European
languages, there is the cumbersome division between he and she (not to
speak of gendered nouns!), so that a gender-conscious author must either
avoid the third person or use he/she (or she/he). Miraculously, in Finnish
such a distinction does not exist: there is only one third person pronoun
which refers to both genders and there are no gendered articles like in
French or German. Does this mean that we Finns have a different conception
of gender than other people? The textualists should certainly think so.
The only consequence I am aware of, is that we have great difficulties
in distinguishing between gendered words in other languages, but certainly
not between 'real' gender (or not less or more than anybody else).
Hyvärinen criticizes also my own position, in which
I have claimed that ordinary people write their stories better when they
are free from literary conventions and that all kinds of obvious literary
means function more or less as a veil between the 'real thing' and the
story. Against this, Hyvärinen posits the linguistic turn, in which
only the different literary, stylistic and vocabulary means produce the
feeling of reality and authenticity, not any relation to the life itself,
of which it is impossible to know anything. In addition, in Hyvärinen's
view, all stories are directed to a public, and thus strictly contextual.
He gives as an example a reading of Augustine's Confession, which lends
itself readily to a rhetorical interpretation, being simultaneously a 'true
confession' and a document whose objective is to convert people and convince
those already converted.
Augustine is a good counterexample of what ordinary life
stories usually attempt to do, but on the other hand its 'rhetoric' of
truth and especially the idea that God sees everything, has strongly affected
the idea of autobiography. Without Rousseau and Augustine, we would not
have the idea of the truth as a basic requirement of autobiography! This
is also a good instance of the influence of great literary autobiographies
in ordinary life stories, in which it is not so much the model or style
that is important, but a principle (often misunderstood), the origin of
which is usually unknown to the author. Even though Hyvärinen comes
round to the view that the realistic starting point is also important (referentiality
and reality are essential parts of the life story for him, contrary to
many constructivists), he tries, it seems to me, to reconcile things which
cannot be reconciled. Either there is an attempt to approximate reality
narratively or then there is a rhetorical construction of one's past and
future life.
The problem with constructivism is its elusiveness. A
good example of this is Dausien's (1996) analysis of differences between
women's and men's autobiographical interviews. The analysis shows that
men differ from women in telling stories where they are single heroes and
other personages don't exist (such as wives or children). women, on the
other hand describe interaction, complexity of life where they have to
be responsible for the family as well as a carteer, caring for the home
etc. This Dausien presents as social construction of gender. To the question
whether this distinction could simply be the result of social reality,
where men are not responsible for family, where their life is centered
around work etc., you get the answer that this is also social construction.
In my sense it is not: social construction is construction only if
from same materials we can construct really different alternatives, as
in the case of Lego pieces. If the social 'construction' is determined
by social reality, there is no quarrel. The problem is that you get often
both kinds of messages.
One excellent way to demonstrate the impossibility
of the fictive autobiography position is if we introduce this same discussion
in the field of biography. Biography and autobiography are in some ways
very different and biographers usually see it as an important endeavour
to show how false and misleading a person's autobiography is, as the literary
autobiographies often seem to be. My point is simply that if a biographer
would by way of introduction tell that he or she is a textualist/narrativist/postmodernist
for whom the actual reality of the events related in the biography are
irrelevant or simply a textual construction, we should also be prepared
to judge the biography only by its literary and textual merits. My question
is: why should we treat autobiographies differently from biographies, even
if the author is simultaneously the subject of the life story?
Daniel Bertaux' recent contributions against the
narrativist turn (1996, 1997a, b) err to the other direction. As an empirically
oriented but theoretically informed researcher, who is singularly well
placed to discuss the rise of life story approach in the 1970's and 80's,
having been one of the main movers and participant observers, Daniel Bertaux
has chosen to lump together narrativists, constructivists and textualists,
as well as those who work with single biographies, as enemies of realism
and of the sociological point of view. For me, the unique quality of Daniel
Bertaux has always been his ability to combine a very good sociological
imagination with an excellent story-telling and analysing ability. For
him to be fulminating against narrativists is truly a contradictio in adjecto,
whereas both constructivism and textualism are certainly enemies of realism.
The idea that historical reality presents itself in the form of a narrative
is quite plausible, as well as the idea that the narrative already implies
an interpretation of reality. What makes this standpoint realist is simply
the idea that the story is a function of the real events and that the storyteller
tries to come close to these events.
Bertaux gives, in his B&S text (1996) , an interesting
example of both the stability of one's story and of how the story changes
when the positions change. In Bertaux' still unpublished but already classic
baker study, the bakery workers were unanimous in telling how difficult
and terrible their period as apprentices was, whereas the bakers were reluctant
to discuss this period and only when questioned admitted that it was difficult,
emphasizing much more what they learned. Note that here we may, in a sense,
speak of repressed memory! The constructivist point of view is of course
that depending of the present, the past is constructed accordingly. The
realist response is that we can, with the help of these different perspectives,
reconstruct the social reality and the opposing social positions of the
storytellers, but that the perspective of the workers is certainly more
true and complete, as far as the apprentice experience is concerned. It
is simply necessary to collect stories from different positions, in order
to get at the reality (which is not denied by the bakers themselves). If
we want to get a complete story of the bakers' lives, we must get also
their experience as bakers' apprentices right.
That is, the 'repressed' sections in the life story
should be discovered, rather than invented or interpreted freely by our
textualist analyzer. From a postmodernist point of view, life stories have
been compared to an onion, which you can peel endlessly and never get at
the truth of the onion, but it is possible to go further and compares the
analysis of the life story to adding new layers, richer and more complex,
to the lived life. The more we analyse, the farther from the truth we get!
For me, a life is much more like an artichoke, where the best part comes
when you have 'peeled' the whole fruit off (and tasted every separate leaf!).
To come back to the repressed memory discussion, it is
from a realist point of view important to get at the truth behind all kinds
of hidden and falsified versions of life stories and family stories. But
this truth is not possible to glean from the processes of the unconscious
but rather from triangulated stories, where different members of the same
social or family group discuss the same events. Here, Daniel Bertaux' realistic
sociological approach is a much better guide than the different, actually
very vague exhortations about social constructivism, narrativity and textuality.
J.P.Roos is professor of Social Policy at the University of Helsinki.
He has written several books and articles on life stories and has been
instrumental in organizing collections of life stories through competition
in Finland, Russia, Estonia, Lithuania.
Department of Social Policy
Box 18, 00014 University of Helsinki, Finland
j.p.roos@helsinki.fi
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